Traditionally hand-carved Gravestones and Memorials

As a contemporary artist and craftsman, I strive to push the boundaries of a memorial: beautiful, personal pieces of art that are no longer relegated to the cemetery but can be made to live in the home or garden.

Whether it is a traditional gravestone, a memorial to a beloved pet, or perhaps a piece of garden sculpture commemorating an important moment in your life, crafting something meaningful and unique drives my work.

STEP BY STEP GUIDE

TECHNIQUES IN STONE

Handdrawn lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.
Letter-carving in limestone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.
Raised, 3D letters carved by hand in York stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.

HAND-CARVED LETTERS

The lettering of a memorial is really the most important element of the design. Unlike most monumental masons, I do not use type-setting and sandblasting machines.

Instead, I draw and carve all of my lettering by hand, which also means I can match practically any style of lettering when doing additional inscriptions on existing stones.

Welsh slate memorial stones. All drawn and carved by hand. Letter-cutting and hand lettering. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.
Low relief figurative carving in Cumbrian slate for a memorial plaque. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.
A hand-carved Tudor rose in York stone. Handmade headstone. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.

SCULPTURE AND RELIEF CARVING FOR MEMORIALS

I really love to combine carved elements with lettering in my memorials. I think including graphic motifs, such as flowers, figures, and decorative borders can really make a memorial stand out.

As I am very inspired by monumental stone carving of the 17th and 18th centuries, I tend to work in a bold, graphic style, as opposed to realistic sculpture. Generally, I try to work only with stone native to Britain, most of which are excellent for low-relief carving.

Painting hand lettering. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.
Traditional oil gilding with 24kt gold leaf on a Irish Kilkenny slate house sign. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.
Hand-painted original inscription in Fench limstone. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.

TRADITIONAL OIL GILDING & PAINTING ON STONE

Both lettering and carved elements can be painted to look subtle and naturalistic, or they can be painted or gilded for high contrast and colour. Other techniques, such as carving raised lettering or mark-making can also help legibility without painting.

I oil gild the traditional way and use the highest-quality 24k gold leaf. I also strive to use eco-friendly paints and finishes whenever possible.

Drawing sketch for memorial headstone. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.

THE SHAPE OF A GRAVESTONE

There are many different shapes a gravestone or cremation plaque can me masoned into. I create unique templates for each shape, which are then masoned by hand into the stone.

WHAT STONES ARE MEMORIALS MADE FROM?

Choosing what type of stone to use for a memorial can seem a bit confusing, but I’m happy to guide you through the process. I work with a variety of stones - mostly native to the UK - which are both beautiful and practical. If you have any questions about stone, just drop me a line.

  • Riven slate stone sample.

    Slate

    Slates from Wales, Cornwall, and Northern England are considered the highest-quality stone for memorials, as they are very durable and allow for very detailed carving. These are generally the most expensive stones.

  • Limestone sample for memorial. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.

    Limestone

    There are many different kinds of limestone suitable for memorials, such as Portland, Nabresina, Hopton Wood, Purbeck, Kilkenny, and Caithness. Each brings a unique colour and hardness. Limestone is a very versatile material and a bit more affordable for those with smaller budgets.

  • Warm sandstone. Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.

    Sandstone

    The UK is home to many excellent types of sandstone, such as York and Forest of Dean. Sandstone is very durable and neutral in appearance.

  • White marble surface with gray veining.Hand-carved gravestones, memorials, and lettering in stone. Carved my Matt Loughlin at The Memorial Workshop, based in Somerset, England.

    Other Kinds of Stones

    The range of available stone for indoor memorials or gallery pieces is much wider, as they don’t need to hold up under the elements. Stones such marble, blue lias, and Maltese limestone are possible choices.

HOW MUCH DOES A MEMORIAL COST?

To obtain a more accurate estimate, an initial consultation will be necessary, as there are many factors that can significantly effect the cost of a memorial. However, below you will find a very basic range of prices for different kinds of commissions.

Contact Matt

If you have questions not covered above, need an estimate, or want to talk over an idea, please contact me below.